You Oughta Be in Pictures!

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Information about You Oughta Be in Pictures!
Technology

Published on February 5, 2009

Author: hcplharriet

Source: slideshare.net

Making Digital Presentations Live! Part 1: Recording tips and techniques

Participants will learn basic recording tips and techniques in order to: Start up a simple reader review recording project Establish a foundation for springboarding towards other video projects Discover how easy the video making process can be

Start up a simple reader review recording project

Establish a foundation for springboarding towards other video projects

Discover how easy the video making process can be

Equipment Lighting Location Background

Equipment

Lighting

Location

Background

A digital camera with movie/video recording capability or a digital camcorder A tripod or other steady surface

A digital camera with movie/video recording capability or a digital camcorder

A tripod or other steady surface

Choose a well-lit area. Fluorescent lighting is fine; try to stay indoors. Manually setting white balance is recommended, if possible. Set up a simple light next to or behind the camera if necessary; a bright background can result in a subject who’s too dark.

Choose a well-lit area.

Fluorescent lighting is fine; try to stay indoors.

Manually setting white balance is recommended, if possible.

Set up a simple light next to or behind the camera if necessary; a bright background can result in a subject who’s too dark.

Pick a quiet area that won’t record unnecessary background noise. Staff break area or other small room is an adequate choice; light and sound have fewer places to escape in contained areas. GET CLOSE!!!! Proximity is important for at least two reasons: minimalizes distractions, and maximizes what the microphone is able to pick up.

Pick a quiet area that won’t record unnecessary background noise.

Staff break area or other small room is an adequate choice; light and sound have fewer places to escape in contained areas.

GET CLOSE!!!! Proximity is important for at least two reasons:

minimalizes distractions, and

maximizes what the microphone is able to pick up.

Pick or create a background that isn’t too busy or distracting. Make sure that there is less of it and more of your subject. Something other than solid white (or solid black) is recommended.

Pick or create a background that isn’t too busy or distracting.

Make sure that there is less of it and more of your subject.

Something other than solid white (or solid black) is recommended.

 

Frame for head and torso shots; a full-body shot is too far, head and shoulders too close. Have the subject hold the item up (just to the left or right) so that it can be seen. If you don’t have a copy of the item, try a color printout. Try to keep each review under two minutes. If assembling reviews together, try to keep the final video somewhere in the neighborhood of 5-6 minutes. If they’d prefer to read from a script, position it as close to the camera lens as possible and out of view.

Frame for head and torso shots; a full-body shot is too far, head and shoulders too close.

Have the subject hold the item up (just to the left or right) so that it can be seen. If you don’t have a copy of the item, try a color printout.

Try to keep each review under two minutes. If assembling reviews together, try to keep the final video somewhere in the neighborhood of 5-6 minutes.

If they’d prefer to read from a script, position it as close to the camera lens as possible and out of view.

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