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SUMMER COURSES. CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING 2014

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Information about SUMMER COURSES. CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING 2014
Education

Published on February 4, 2014

Author: bandeapartescueladecine

Source: slideshare.net

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SUMMER COURSES. CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING 2014
The work of Director Assistant, is very imporant in the audiovisual production: considered the filming boss, his work begins long before the first foreground. When the screenplay falls into his hands, the Director Assistant organizes the work of equipment, convenes meetings, an sets the preproduction calendar, and the shooting schedule. He works closely with the director of the film, and the production team, coordinating as a link between both departments. He is familiar with the cinematographic language and film planning. He has a profound knowledge of the work of each film technicians, and control the execution time of each task.

If you are interested in this job, and if you want to dedicate professionally to the cinema or televisión, if you want top lay this role , this workshop will provide you a methodology, and it will enable with real shootings. Also, you will learn how to manage software Movie Magic Schedulling, a fundamental tool in the current job Director Assistant, which allows to make breakdowns, department lists, filming plans, appointments…etc.
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París 143 - local. 08036 Barcelona Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 info@bandeapart.org www.bandeapart.org SUMMER SCHOOL JULY 2014 CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING. FROM 7 TO JULY 11 20 hours | Monday to Friday | from 10:00 h to 14:00 h | 250 € · THE DIRECTOR ASSISTANT CLOSELY WITH THE DIRECTOR OF THE FILM, AND THE PRODUCTION TEAM. · MOVIE MAGIC SCHEDULLING, A FUNDAMENTAL TOOL IN THE CURRENT JOB DIRECTOR ASSISTANT. The work of Director Assistant, is very imporant in the audiovisual production: considered the filming boss, his work begins long before the first foreground. When the screenplay falls into his hands, the Director Assistant organizes the work of equipment, convenes meetings, an sets the preproduction calendar, and the shooting schedule. He works closely with the director of the film, and the production team, coordinating as a link between both departments. He is familiar with the cinematographic language and film planning. He has a profound knowledge of the work of each film technicians, and control the execution time of each task. If you are interested in this job, and if you want to dedicate professionally to the cinema or televisión, if you want top lay this role , this workshop will provide you a methodology, and it will enable with real shootings. Also, you will learn how to manage software Movie Magic Schedulling, a fundamental tool in the current job Director Assistant, which allows to make breakdowns, department lists, filming plans, appointments…etc. www.bandeapart.org BANDE À PART ESCUELA DE CINE | BARCELONA París 143 - local. 08036 Barcelona · Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 · info@bandeapart.org encuentranos en

SUMMER SCHOOL JULY 2014 CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING. FROM 7 TO JULY 11 20 hours | Monday to Friday | from 10:00 h to 14:00 h | 250 € TOPICS AND PRACTICAL EXERCISES 1. Incorporation of director’s assistant team in a movie or tv series. The work of different departments. Specific tasks with the direction team. Relations, hierarchies and communication with technical and artistic. 2. The director assistant during the preparation of a film of tv series. Immersion in the screenplay, and knowledge in the planning. The breakdown: the elements of the screenplay to the screen. Organization and information transmission. 3. The production schedule: planning the time, optimizing resources. Preview the problems, before they arise. 4. The director assistant during the filming: from foreman to psychologist. Meeting the production schedule. The order to filming. 5. The director assistant and the casting. Appointment to actors and figuration. Organization and direction of the figuration. 6. Differences between working “by hand” or using the industry standard software. Movie magic program. www.bandeapart.org BANDE À PART ESCUELA DE CINE | BARCELONA París 143 - local. 08036 Barcelona · Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 · info@bandeapart.org encuentranos en

SUMMER SCHOOL JULY 2014 CINEMA DIRECTOR ASSISTANT AND MOVIE MAGIC SCHEDULLING. FROM 7 TO JULY 11 20 hours | Monday to Friday | from 10:00 h to 14:00 h | 250 € SYLLABUS AND PRACTICES 7. Preparing the script and breakdown: adaptation of the program user preferences. Benefits. Automatic creation of lists. Revisions. 8. Introduction of elements in leaf breakdown, modifications, rearrangements of categories positions. 9. Duplication, treatment and breakdown of simple scenes and multi-layer. 10. Running plann: management tools and selection according to preferences (outside/inside, actors availability and locations…) 11. Timetables according to requirements or limitations. 12. Reports of ocurrence (per scene, per day of shooting, by…) 13. Days of calls for each depending on the days of shooting (date out of dates- dood). 14. Desing and customization of report, filming plans, forecasts… 15. Practical use of software, with a current motion picture display sequences for practice breakdown, shooting schedule and running order for fields of light, for machinery, for actors, etc. www.bandeapart.org BANDE À PART ESCUELA DE CINE | BARCELONA París 143 - local. 08036 Barcelona · Tel: +34 93 444 76 78. Fax: +34 93 419 13 89 · info@bandeapart.org encuentranos en

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