Structure analysis of dhvani school by anandavardhana

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Information about Structure analysis of dhvani school by anandavardhana

Published on March 13, 2014

Author: 123kinjal

Source: slideshare.net

Topic : Structure Analysis of Dhvani school by Anandavardhana Name: Patel Kinjal Paper Name: Literary Theory and Criticism Paper No: 7 Roll No: 16 Submitted to: M.K. Bhavnagar University

Definition of Dhvani • A , category of medieval Indian poetics, according to which the artistic enjoyment from literary works is achieved not by the images that are created by the direct meaning of the words but by the associations and ideas that are evoked by these images like.

Dhvani Vachya (the stated) Pratyama na (the implied)

Introduction • The Rasa theory in importance, the dhvani theory of Anandavardhana, considers suggestion, the indirectly evoked meaning, as the characteristics property of literary discourses, the determinant that separates it form other rational discourse.

Dhvani as kavyasya atma

• Anandavardhana uses term dhvani to designate the universe of suggestion- kavyasya atma dhvani. Dhvani VyanjanaSphota

Dhvani denotes • The sound structure of words (sabda) • The semantic aspects of sabda, the vyanjakas or suggesters • “the revealed or suggested meaning as such and the process of suggestion involved”

What is Dhvani? • Dhvani theory is a theory of meaning, of symbolism, and this principle leads to the poetry of suggestion being accepted as the highest kind of poetry.

AnAndAvArdhAnA’s three leveled meaning

• Rgveda also makes a distinction between the literal meaning and inter significance- “He sees, but sees not… one hears, but hears not.”

Dhvani as a method • Dhvani is the method, the means for achieving or evoking rasa, which is the effect of suggestion.

Views of opponents • Dhvani is nonexistent. • Dhvani is a product of inference and is to be included under laksana. • dhvani is something beyond the realm of words. • Mahimabhatta (vyaktiviveka) is the most well-known critic of this theory.

Intonation • The intonation adds a layer of suggested meaning to the directly expressed meaning of an utterance.

Dhvani Avivaksita vacya Vivaksitanyapara vacya Samlaksayakrama vyangya Asamlaksayakra ma vyangya

Vastu dhvani Kavipraudha uktimatra siddha Svatasambhavi

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