Perform Basis06 A0 en last

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Travel-Nature

Published on March 25, 2008

Author: Charlie

Source: authorstream.com

Slide1:  01 culture theory view 32 philosophical view 29 socio-logical view 28 performativity as view 27 filmic view 26 movement view 30 magical view 26 temporal view 27 process view 28 pragmatistic view 29 anthropological view / ethnological view 32 theater studies view 30 therapeutic view 31 content view 01 contextual view Performance as situative production Performance as situative experiment +Performance as culture-forming presentation (BN) Performance as a border, a margin (M. Carlson) Performance as sound experience +Performance as staging Performance as a representation of circumstances +Performance as theater Performance as Process Performance as act of positing meaning +Performance as interpretation (BN) +Performance as socially marked role play Performance as social practice +Performance as ritual +Performance as mimesis +Performance as ritual +Performance as catharsis Performance as drive analysis Performance as form of action in therapeutic praxis +Performance as memory theater social performance moving Sculpture audio performance story- telling (2) Ritual (2) performing arts community performance art process art performance clips music performance time based art time art (2) kinetic sculpture dance performance moment art process demonstration primary demonstrations mimicry of life ritual sculpture rite rituals prediction (2) economical and social plots social performance social sculpture mudman's seminars theater performance sound performance sound Performance poetic theatre Orgies-Mysteries Theater Performance = consciously dreaming film semiotics psychoanalysis (Lacan school) process theories cultural anthropology structuralism (discourse) myth discourse literature discourse deconstructivism memory theories therapeutic discourseg gestalt therapy psychodrama / psycho-techniques primal scream therapy system theory dance theory alchemy, hermetics esoteric debates / New Age discourse psychology performativity discourse theater theory theater studies dramatic discourse art theory philosophy postmodern discourse nomadology discourse deconstructivism discourse performance studies performance theory (historical) anthropology ethnology theology / New Age discourse theater anthropology ethnography performance studies ethnography cultural anthropology sociology and performance sociological discourse exotism discourse tribalism debate (tribal culture) structuralism discourse (game rules of art) performative theories from cultural science performativity discourse performance studies speech act theory language game theory / Praxeology feminist theories (J. Butler) pragmatism symbolic pragmatism pragmatic-hermeneutical turn role theory (T. Sarbin) discourse analysis music theory theory of perception on architecture (B. Leitner) technoculture discourse dance theory body research film theory dromology time theories Performance as catharsis (cf.. below) cultic purification self-purification Performance as form of action in therapeutic praxis Cf..: contemplation /vs/ ecstasy Forms of therapy that make use of performance techniques Forms of therapy as analytical "session" see: performativity of language view of orality performative speech act see: performative levels in pop music sound, music, score, composition (cf..: view of the musical score) Performance with Sound Fluxus (2) performance as social, political strategy images of social community as performance e.g. simulation of an office (Ingold airlines: Res Ingold) (Philippe Cuny u.a.: Protoplast) (Abel Bankprojekt) (FEM-Warenzeichen) (Bender & Nern) performance as mimicry of business (Ruskin Stichting, Rotraut Pape, u.a.) living prediction direct recourse to shamans (Schmutz) (e.g. Catholic liturgy) Concept art of the 60s - body art (K. Rinke) travel art – capturing moments short performance (very long performances are hardly prepared anymore today) discourse view the exhibited discourse (series "dis-positiv“ Vienna 05.2000) 25 acoustic "view" auditive view acoustic environment action music performative level of pop music Crossings-Schema: Jonas, Forti, Charlemagne Palestine L. Anderson. Haimsohn Beckley, Kubisch Fabrizio Plessi Albrecht D (ZEN) Jannis Kounellis Lentz, Dunlap, Tom Marioni others: Jon Rose , Christian Marclay ZAJ (Walter Marchetti, Juan Hidalgo, Ramón Barce , Esther Ferrer) Z´EV, Ian Smith FUCKKEAD, Anne Bean Paul Burwell, Sam Ashley Nancy Buchanan Richard Maxfield Endre Szkárosi Grundheber CAP Jörn Luther , Misa Savic Krzystof Zarebski, Irit Bluzer, Helena Villalobos Mark Trayle, Bender&Nern Pauline Oliveros Literature: Kunstforum Bd. 25 / Schamanen J. Raap / Kunst u. Schamanismus (article) Hartmut Kraft / Über innere Grenzen - Initiation in Schamanismus, Kunst, Religion und Psychoanalyse (book) Performance of Healing (book) Carol Laderman (Ed.) J.L. Moreno / Psychodrama (book) Joachim Hersinger Waldegg / Der Künstler als Märtyrer – Skt. Sebastian in der Kunst des 20.Jahrh. Mary Ann Doane / Film and the Masquerade (masquerade theory) Marianne Kesting / Das Happening als pseudo-religiöse Opferhandlung (article) Christa Lichtenstern / Metamorphose. Vom Mythos zum Prozeßdenken (book) Aristoteles / Katharsis-Begriff Theresa Smalec / (PSi7) Healing Shattered Subjects: Ron Vawter´s "Roy Cohn/ Jack Smith" as a Performative Means of Translating and Transforming Cultural Traumas Elizabeth Köpping / (PSi7) Charismatic Healing as Transformation Translating Difference: Performance and Disabillity (PSi7) Literature: E. Jappe / Performance Ritual Prozeß On Ritual (Performance Research) Richard Schechner / Future of Ritual Kunstforum Bd. 34 / Plastik als Handlungsform Victor Turner / The ritual process (book) Victor Turner / The Anthropology of Performance (book) Richard Schechner / Between Theatre and Anthropology (book) Marvin Carlson / Performance – a critical introduction (book) !! chap. Performance and the social sciences Conquergood Dwight / Poetics Play, Process and Power – The performative turn in anthropology Janelle G. Reinelt, et al. / Critical Theory and Performance (book) A.David Napier / Foreign Bodies – Performance Art and Symbolic Anthropology A. Artaud (ethnological studies) W. Pfaff u.a. / Der sprechende Körper Sylvia Sasse / Zur Anatomie kollektiver Körper in der russischen Performance Theatre for Social Change (PSi7) Literature: Judith Butler !! / Bodies That Matter Performative Acts and Gender Constitution (article 1988!) / Judith Butler Performativity and Performance (book) ! Andrew Parker & Eve Kosofsky Sedgwick Symposium: Cross Gender/Cross Genre Performance and Performativity Graz 99 Geraldine Harris / Staging Feminities. Performance and Performativity (article) David E.R. George !! / Performance Epistomology (in: Performance Research) Dwight Conquergood / article: The Performative Turn in Anthropology Victor Turner / The Anthropology of Performance Elisabeth List / article: Leiblichkeit, performatives Selbst u. Geschlecht article: Kultur als Handlung Gertrude Koch (C.S. Peirce) Homi Bhabha / article: Of Mimicry and Man Marvin Carlson / Performance – a critical introduction (book) !! Michael Issacharoff & Robin F. Jones / Discourse as Performance (book) Literature: article: Kultur als Handlung Gertrude Koch Mary Ann Doane / Film and the Masquerade: Theorizing the Female Spectator (article) Valie Export Peter Weibel Philip Auslander / Liveness (book) Ihab Hassan / process/performance/ happening (Essay) Victoria Best & Peter Collier (Ed.) / Powerful Bodies (book) Claudia Liebrand / Kinematographische Gender-Performanzen (lecture) P. Dubois / Der fotografische Akt (book) Thomas Dreher / Aktionstheater und Intermedia (article) Paolo Bianchi (Video lounge at O.K.) / Die Transformation der Kunst zum "Performative Turn“ Max Schumacher / (PSi7) Grotesque Food - From Film to Stage Literature: Kunstforum Bd. 87 / Kunstgeschichte des Feuers Erika Billeter / Mythos und Ritual in der Kunst der 70er Jahre Transition to Modernity (PSi7) Bonnie Eckhard, Frederick Corey / (PSi7) Missed Callings: Myth, Middle Age, and Memory M. Serres Udo Wid Literature: Performance und Performance Art / Kunstf. Bd. 96 G.J. Lischka Beitrag: Schneisen im Heuhaufen – Formen von Performance-Art Marie-Luise Lange Critical theory and performance (book) Patrice Pavis Jürgen Schilling / Aktionskunst (book) Marvin Carlson / Performance – a critical introduction (book) !! B. Stanton Garner / Bodied Spaces: Phenomenology and Performance Nick Kaye / Postmodernism and Performance (book) ! David George / On Ambiguity: Towards a Post-Modern Performance Theory (article) Laurence Senelick / Cabaret Performance Stan Godlovitch / Musical Performance: a philosophical study Philip Auslander / From Acting to Performance (essay) Vadim Liapunov, Michael Holquist / Towards a Philosophy of the Act (book) (on Bakhtin et al.) Richard Schechner / Performance Theory (book) Patrice Pavis (Ed.) / The Intercultural Performance Reader (book) Michel Benamou / Presence and Play, Performance in Postmodern Culture Mise en Scéne (catalogue) Markus Weßendorfer (theater theoretician also writes on performance) Elisabeth Schweeger Hans-Thiess Lehmann (lecture) / Theater als Möglichkeitsraum Performance Theory and Practice (PSi7) Literature: Kunstf. Bd.137 / Atlas der Künstlerreisen Kunstf. Bd.136 / Ästhetik des Reisens Zeit – Die vierte Dimension in der bildenden Kunst Kunstf. Bd.150 / Zeit – Existenz – Kunst Kunstf. Bd.151 /Dauer/Simultaneität/Echtzeit Matthias Schäfer / Mediennutzung und Zeitfaktor in der Aktionskunst (Bd.151) Daniel Charles / Zeitspielräume – Performance, Musik, Ästhetik John Cage / Für die Vögel – Gespräch mit Daniel Charles (book) ! U. Krasberg / (PSi7) Ekstastetanz und Performance ... (Sufi rituals) Kinetographien (project) / Inke Arns, Mirjam Goller, Susanne Strätling, Georg Witte Literature: Crossings (catalogue) Zeitspielräume. Performance Musik Ästhetik / Daniel Charles Musical Performance (book) Stan Godlovitch - a philosophical study Klangkunst (catalogue) Music and Performance (PSi7) Literature: Die Grube und das Pendel (article in: Relikte & Sedimente / Rob La Frenais Kontextbewußte Ansätze in Kunst und Wissenschaft / G. Dirmoser (DG) Gotthard Günther (on polycontextuality) Marvin Carlson / Performance – a critical introduction (book) !! Victoria Best & Peter Collier (Ed.) / Powerful Bodies – Performance in French Cultural Studies !! Guy Debord / Rapport zur Konstruktion von Situationen Kenneth Burke Dwight Conquergood Victor Turner Erika Fischer-Lichte / 01.99 Kulturen des Performativen (Sonderforschung BRD) Erika Fischer-Lichte / Vom Text zur Performance – Der „performative turn“ in den Kulturwissenschaften (FL) movement research (Skip Flicker) vocabulary of movement movement behavior Travel Art travelling as performance (Vol. 136, 137 Kunstforum) travelling as global presence (Eva & Adele) Green line walk (Die Fabrikanten) (John Tylo) (Jochen Gerz) (Dimitri Alithinos) Photo: Moment catcher – Performance travelling (Gabriel Magos, Corinne Tache) see also: course of events view see also: view of the musical score temporal view of performance design ephemeral art forms of the course of attention immediacy (nothing can be taken back) / Live character threshold situations (in the course of events view) structures of action see also: performance as action see: M.-L. Lange categorized performances according to action structures course of events game rules ritual (see left) view of the musical score Performance as staging (see below) staging (2) staged events (2) performing art (2) Performance takes place in the "here and now" remaining in the present performative turn (Bonnie Marranca, Conquergood Dwight, Fischer-Lichte, ....) cf.. pragmatic-hermeneutic turn Performance is less a new form of art than a new paradigm, it stands less for a new phenomenon than for a new consideration of familiar phenomena (David E.R. George 1996) masculinity/femininity as cultural performance (femininity: Sakiko Yamaoka) see: performative sculptures see: performative form of insight of the physical body see: performativity of feelings see: the performance of the body (performativity) see: performative pedagogy live performance live art cf.. Stadtwerkstatt-TV cf.. Taxi Orange process-oriented art / process-oriented procedure see also: process from the view of artistic production Primacy of the process process design (see study Stadtwerkstatt-TV) course of process moment art (2) forms of interaction see: communication concepts automatism rules of operations and permutations film-specific performance styles (works by Jack Smith) filming performers (Black Market) (Jack Smith – Retrospective Graz 1999 Smith repeatedly treats his films for performances) (2) video performance TV performance performative self (the self in process) Performativity as the act of positing meaning permanently repeating itself performativity as creating identity as a process of repeated quotation social performativity of gender (J.Butler) gender: a category constructed through performance (not a given social or cultural attribute) gender = a "doing“ (J. Beuys) (Volker Hamann) (Bruno Hoffmann) J. Beuys' actions as sculptures in space and time (category 08 according to M.-L. Lange) forms of culture (forms of expression) the gift role view simulation poetry of rites ceremony / processions performance as mimesis (see below) performance as ritual (see below) ritual actions (Thomas de Chirico) ritual performance art (Réné Ynez) performance as social practice (see below) performance as socially marked role play (see below) role view cultural pattern ritual mudmans Seminars (2) goes directly back to shamans (dirt) see also: intercultural exchange in performance mimicry It is how it is – the illusion theological view Performance as theater of memory (see below) Theater as memory space (Cf.. essay by Dan Graham on Giulio Camillos) memoria theater Content aspects of performance (arrangement) Avoidance of narrative structures Non-theatricality Content-based methods (Cf.. Stadtwerkstatt-TV study) Philosophical terminal (2) Everyday stories Sense & madness Montage performance (montage techniques) theater view dance performance performance theater See also: dance performance movement view art studies view action theater (La Fura Dels Baus, La Gaia Scienza) theatrically inspired hybrid performance (lt. Zakravsky) Philosophical terminal (as service) (Cf.. also: Rainer Ganahl - education complex) Lecture as performance (Thomas Huber, Andrea Fraser) (John Bock) (Bazon Brock) Performance archive (cf.. service) the black drawer Performative science Encyclopedic delusion Performance conferences (Also see: networks) Performance as representation of facts (s.r.) Symposia The council seminars (2) see also: culture-theoretical view See also: Theological View Performer as modern shaman Performer as modern witch Alchemy (Anna Homler) Cosmological view View of the elements (fire, earth, water, air, ...) (Hanka Lee) (Katharina Trost) (Aktion im Moor – J.Beuys) mythological structures These aspects used to be treated under the theme of communication concepts (see below) criticism: communication and information theory have forgotten performance social view see also: political view actions with job-seekers, unemployed persons, homeless, prisoners (STWST) (Filomeno Fusco, Victor Kégli) (Santiago Serra) Theatricality: "Grand Gesture" (Mattieu) The grand gesture as performance (being flown in by helicopter, nothing else). gestures (3) Personal mythologies (Rosa Galindo, Pedro Garhel) circular form of time (Giardini Pensili = Bordoni & Dalo) Situative experiments Simulating the conditions of the surroundings (Hejettes Szolyazok: bathing situation beach) (Stadtwerkstatt: weather building) under water performance (Angie Hiesl) concert performance (Joel Hubaut) (Dilettanten- Orchester Linz) Art jury as performance (the jury: U. Wid, Die Fabrikanten, G. Dirmoser, Neuner, et al.) Situative investigations (ARGE Kulturtheorie Linz) exchange projects (Clegg & Guttmann) Performance in the courtroom (Siglinde Kallnbach, Black Market & W. Preisinger) (Jörg Lenzinger & Patrick Sidler) (High Red Center) With and about fire ... (Kain Karawahn, Otto Piene, Stadtwerkstatt, Young-Chul Shim)) (Holger G. Hermann, Thomas Ruller, Lukas Berchtold) Panic in burning paper tent (Igor Sacharow-Ross) Fire circles (Zorka Ságlová) flame thrower (Just Merrit) Fire & water (János Szirtes) , (SRL), (L. Berchthold) Fire theater, live flame (A. Heller) Incinerating rare plants (Terry Fox) Fire Table(s) (Ric Allsopp) In a burning tank under water (Harrie de Kroon) Recipient in a burning gyrator (times up/Just Merrit) Burning clothing piece by piece (Barbara Sturm) movements as depiction of fundamental human states (Monica Klingler) disability view mental and physical disability (Kraft/Petz) (René Schmalz (Butoh)) Performance as drive analysis (and art analysis) (Via Lewandowsky) ritualizing everyday actions (Alastair MacLennan) social action (Tom Marioni) social actions (Roland Miller) live electronic musical instruments interactive sound performance (Benoit Maubrey & Brodin – Audio Gruppe) filming actions (Kurt Kren (on Otto Muehl, G. Brus)) objects from the Catholic liturgy (H. Nitsch) (cult of the new eve) See: psychoanalytical view (Alanna O´Kelly, Akio Suzuki, Junko Wada, Peter Zegveld, Harry de Wit, Toine Horvers, Phill Niblock, Jens Brand, Savier Klaro, Stadtwerkstatt) rituals on Hawaii (Charlemagne Palestine) string installations (Paul Panhuysen) Stalker (as concept) (Zygmunt Piotrowski) material ordered in trance as script (Jacques van Poppel) Creation myth (Jürgen Raap) neurotic rituals – intensity of a hysterical psychosis (Reindeer Werk) (Klaus Rinke, Ralston Farina, Ruedi Schill, Sakiko Yamaoka, Peter Kalmus, Michael Murin) sculpture in motion (Nigel Rolfe) Shamanist journey multimedia (Rachel Rosenthal) Trance techniques (Terry Fox) Trance states (Helmut Schober) (Serge Pey) (Roman Signer) (Renee Kolla) action with a fuse (Roman Signer) endless repetitions (Endre Tót) ongoing performance: the question of plagiarism (Timm Ulrichs) 700 BICAPONIA-Performances as rituals of a private shamanist religion (German Vinogradov) Laying open - sacrifice - shamanism (Jappe) rites of initiation Three-dimensional narrations Notes as performance (Karin Beck, Elsbeth Böninger & Norbert Klassen) symbolic actions (as precursor of performance) religious themes (Ulrike Rosenbach) relationship per se pair performances (Marina Abramovic & Ulay) space can only be performatively experienced as space Dynamic theater (Bremer, Spoerri) Turning away from the object: stressing the process within a context religious acts Cabaret as performance? Cf.. (Lili Fischer, Franz Prieler) (Donna Lewis) (Diva – Cabaret: Marlene Madison Plimley, Mernie Le Plested, Alvin Erasgo Tolentino, Lori Weidenhammer) cabaret performance Performance and theater artists (Black Market) (Christine Brodbeck: TP-founder in CH (Tanz pur)) (Petra Deus, Klara Schilliger, Laura Dean) (Katja Fleig & Seijiro Murayama) (Company Catherine Contour) (Anna Halprin, Robin Poitras, Gabriele von Scheidt, Silvia Buol, Maren Strack, Genevieve Fallet) (Honey and Milk: Dora Kiss, F. und Joel Mützenberg) (Mim Miriam King, Steve Paxton, Andrea Morein, Dorothea Rust, Yoshimichi Takei, Mari Tanikawa, Mona Kosa, Hanna Barbara, Nigel Charnock (Ex: DV8), Kim Hyun-Ju, Kim Young-Won, Bilderwerfer (D. Aschwanden), Simon Whitehead, Hae Kyung Lee) juggling with repertoire of movement Mask / masking (cf.. identity) masquerade (Boris Nieslony, Norbert Klassen, McCarthey, Joan Jonas, Franco Vaccari, Allan Sekula, Artur Tajber) Self-painting (G. Brus) White man (Roi Vaara) White men (T.R. Uthco: Dough Hall, Jody Procter, Brus, Yong-Gu Shin) Yellow man (Lie Wen) Camouflage painting (V. Kutscher) Like spotted animals (Mette Aare) (art incube) The body as canvas religious rituals as material procession as performance (Giuseppe Desiato) (Nitsch OM Theater) Kneipp cure & Performance (Lili Fischer) ethnological material (Thomas de Chirico) selling snowballs (David Hammons) expanded cinema (as method: USA => A) (Jack Smith, John Latham, Valie Export, Peter Weibel) Smith combined film and cinema slide Alchemy of the kitchen (Attila Kosa) Alchemy of the ordinary (Boris Nieslony) Archaic elements in performances reminiscent of archaic roots Performance as culture-forming presentation (s.r.) (Boris Nieslony) Queer Theaters (Text: Rob La Frenais) (Cf.. Symp. Steir. Herbst) Shamanism (mobilizing spiritual forces) (Rolf Hinterecker) (Geert Duintjer) (Anna Homler) (Raphael Montanez Ortiz) (Nam June Paik) (J. Beuys) (Brian D. Tripp) (Kim Suck-Hwan) (Yong-Gu Shin) Shamanism and animism (Z. Warpechowski) (Serge Pey) Context-conscious strategies: surprise, alienation, distortion, ... de-formations Breadman (head bound with bread) (Tatsumi Orimoto) Revealing evil and exorcising it. Total possession (in the performance) (Karen Finley) performative moment encroachment / infiltrated situation (Günther Wallraff, Karel Dudesek) (Gianni Motti) infiltrating hospitals as doctor (Cabinet De Medicine) cf.. (art) historical view Role of the clown (BN) Performer as clown (cf.. Black Market) (Bruce Nauman) magic ritual (BN) Dissolution of the semantic obligation, honest performance! (BN) the intentional view "presentation" (BN) initiation Scope of action in between terms (BN) (BN) performance is directed against blind faith in progress Culture-forming energy of performance Programmatic texts: (BN) Reindeer Werk, Todays Place, Prediction, Minus delta t, Büro Berlin, polarpuls Art d´Ameublement, Kunoldtstraße 34, Bazillus, Programmpapiere kleiner Ausstellungsraum, Das Konzil 1981, Strategiepapiere des Fördervereins für Projektkunst, Die Stifter, ASA European, Black Market International, ...) the only medium with real quality is every other human being (BN) Performance is closely linked to montage; its flaw is that it is a much younger step-brother to film (BN) Performance as presentation Ancestor cult Experimentally assembling circumstances (BN) As a principle, B.M. is an exploration of attention (3) Attention as accuracy B.M. is performative Socio-cultural roots Cultural Sciences Black Culture Theory Cultural Studies (discourse) Cultural History Context-conscious Theories Neo-situationism Discourse Postmodern Discourse Animism (cult of the soul) Transformation (2) (PSi7) Art as site of transformation (PB) Temple sacrifice and fire rituals (Siglinde Kallnbach) (minus delta t) Cf.. field terms (Situationist International) situationist event Polycontextuality (BN) See: Montage quasi-mythical places (Hermann Nitsch) Sacrificial rituals (Max Dean) crucifixion scenes fertility rituals cultic actions ritual presentation of objects Artist as "sacrifice" religious view / art (performance) as substitute for religion? Performance as the processual, flowing Performance as the transient, flowing, ... view of duration: chained together 1 year (Linda Montano & Tehching Hsieh) (3 days: Linda Montano & Tom Marioni) (7 years of living art: Montano) (1 yr. cage, 1 yr. stamping, 1 yr. no interior space Tehching Hsieh) cf. Taxi Orange repeatability of staged performances (Lili Fischer, Laurie Anderson) Performances action scores (category 03 according to M.-L. Lange) What is staged, random and composed coincide (Akio Suzuki & Junko Wada) (approach to) ritual performances (Category 04 according to M.-L. Lange) cultural history view Galvanized into the symbolic Pain, death, transitoriness, rebirth (Gideon Gechtman) (Peter Gilles) (Hannah Wilke – her dying body) Experimental actions (2) (Category 06 according to M.-L. Lange) ... What is commonplace is torn from its familiar context, subjected to incongruous examinations Deconstruction performances (Category 11 according to M.-L. Lange or Inge Baxmann respectively) This performances are targeted to: confrontation, irritation of sense, disjunction, interruption and dismantling of familiar semantic contexts. It is a matter of "an upsetting of order", of the destruction of traditional rhythms and flows of meaning. Narratively structured performance (Category 12 according to M.-L. Lange) These forms of action tell stories and are based on a clear concept of staging. (Renate Bertlmann) (Brian Catling) Cf. service view dramaturgy (Norbert Klassen insisted on it for B.M.; but he is the only one with a score) Semantic routes on the Net Performance appears today as a possible philosophical paradigm; a radical alternative to the modernist text paradigm. (George) (Cf. performative turn) academic performance (Marvin Carlson) Pragmatism as culture studies paradigm (cf. Gertrud Koch) Performativity as the "more pleasing variation" cf. pragmatic hermeneutic turn Performance of Healing a performance is capable of creating "communitas" (Jürgen Fritz) Performance = Transformation of a situation (J.-F. Lyotard on Daniel Buren) artist as anthropologist (Tokio Maruyama) (Nieslony) (David Thomas) artist as (participating) behavior researcher (U. Wid, A. Fraser) subversive simulation of platitudes (Biefer/Zgraggen) Performance without movement (seeing with the body ...) Abramovic/Ulay memento mori (event or object reminiscent of death) / memorial rite (James Lee Byaars: performed his death) (A. Heller: laying out of self) Death Meditations (Nina Wise) Political remembrance of the dead (Balint) Made up like a corpse (Shaun Caton) Sex with the Dead (John Duncan) filmed performances (Matthew Barney) pragma-art (action and process instead of contemplatio) (cf. Michael Lingner, Eva Sturm) Theatrically drastic productions (Paul McCarthy) medical performance theatric performance (Adina Bar-on, Karen Finlay, Kazuhiro Nishijima) cultural performance Literature: (... continued) Victoria Best & Peter Collier (Ed.) / Powerful Bodies – Performance in French Cultural Studies !! Geoffrey Leech / Principles of Pragmatics K. Marcia Moen / Peirce´s Pragmatism as a Resource for Feminism (article) Jean-Francois Lyotard / The postmodern Condition: A Report on Knowledge (book) T. Sarbin & V. Allen / Role Theory (book) Michel de Certeau / The Practice of Everyday Life Kate Ince / Between the Acts: Orlan, Performance and Performativity (in: Powerful Bodies) !!! J.-F. Lyotard / Das postmoderne Wissen Nietzsche Performance Research Vol.1 No.1 1996 D.George / Performance Epistemology Pierangelo Maset, Hubert Sowa (Ed.) / Ästhetisches Dasein. Perspektiven einer performativen und pragmatischen Kultur im öffentlichen Raum D. Böhler et al.(Ed.) Die pragmatische Wende Rorty, de Certeau, ... Liturgie und Ästhetik (event Münster) liveness Literature: (... continued) J.-F. Lyotard (event, performativity, language games, ....) J.-F. Lyotard / The Unconscious as Mise- en-scène (in: Performance in Postmodern Culture – 1977) Hassan Hannah Arendt / Vita Activa (book) Johanna Malt / Performative Constructions of Meaning (article) Dorothea von Hantelmann / Der andere Schauplatz: Theatralität u. Performanz in der zeitgenössischen Kunst Bonnie Marranca & Gautam Dasgupta Ed. Conversations on Art and Performance Philosophie in Aktion / P. Bourdieu, Hakan Gürses, O. Marchart, Chantal Mouffe, W. Pircher, R. Pfaller, G. Raunig, Slavoj Zizek (book) Hans-T. Lehmann (LE) / Postdramatisches Theater (book) ! Kathy Rosalyn / Toward a Theory of Performance Art (book) Transition to Modernity (PSi7) Hans-Friedrich Bormann (PSi7) Dieter Mersch (PSi7) Sophia Totzeva (PSi7) p-theory as theories of behavior control & mimetic distance (theatre) /vs/ physical awareness of the performative situation the function of performance within a culture (M. Carlson) Culture as performance (Turner, Milton Singer) (Fischer-Lichte) social behavior as performance (Goffman) montage of attractions (Sergei Eisenstein's concept) kinetic environments Postmodern: (Hassan, Lyotard) process / performance / happening work-in-progress, incomplete, fluid open, playful, optative, disjunctive, displaced, a discourse of fragments Modern: art object / finished work non-narrative, non-discursive, non-mimetic performance performative quality of postmodern work P.M.: play, game, contradiction, process, performance (D. George) In postmodern times "performance" is the ideal medium and model (D. George) culturally engaged performances mythic material (Rachel Rosenthal, Meredith Monk) Performance as Exorcism Exorcism – liberation from personal grief/suffering (Linda Montano "Mitchell´s Death") ritualized performance (Rebecca Belmore) ritualized and myth-related performance (See also: rituals) (Moira Roth, Carolee Schneemann) filming partner (Carolee Schneemann's friend) Anthony Cox: husband of Yoko Ono) centrality of performance in the construction and maintenance of social relationships (Nam June Paik & Charlotte Moorman) (Friederike Pezold) (Douglas Davis) touching the inside of the TV (incl. TV view) performance as social experiment Conquergood: involving a shift from viewing "the world as text“ to "the world as performance“ Literature: (... continued) Walking through society (yearbook) ! Eugenio Barber (anthropological view) Camille Camillieri (athropolog. view; important for Patrice Pavis) James Clifford (ethno-historian) Roger Caillois (athropological theorist) Erving Goffman P. Bourdieu (Hexis- u. Habitus-Konzept) Victoria Best & Peter Collier (Ed.) / Powerful Bodies – Performance in French Cultural Studies Milton Singer (ethnologist) / cultural performance (developed as concept) A. Nebelung / Zwischenräume (Methode u. Ästhetik einer ökologischen Soziologie Herbert Mead => J. Butler Prof. Christoph Wulf <= P. Bourdieu C. Wulf (article) / Die Familie als performative Gemeinschaft C. Wulf (projects): Die Hervorbringung des Sozialen in Ritualen ... / Familien- Rituale / Rituale in der Schule / Geschlecht und Rituale U. Wuggenig -> Pierangelo Maset David Frankel / Workshop in Performance Studies Ethnography (PSi7 Mainz) Magic Maori, Artificial Savages and Martians: (De)constructing Indigenous Identity Theory as/of Performance (chapter in Victoria Best & Peter Collier) Theory as/of Performance Performance = significant theoretical framework Identity as performance hexis/habitus as a series of performative practices Orlan´s "Reincarnation“ project: A case study for the overlap between performativity and performance Performance as a concept in ethnography, anthropology, sociology and psychology body as projection surface for films (Carolee Schneemann) hanging, floating, ... (Carolee Schneemann, Flatz, Jill Orr, Peter Brambring, Butoh, Il Carrozzone...) (Charlotte Moorman „sky kiss“) (Kees Mol) (Sankai Juku) (Bob Flanagan) (Jan MlCoch) (Danny Devos – hanging in magic places) (Mark Steger – hanging in trees) (Robert Sot – in a wreath of plants) (Hadass Ophrat & Guy Brieler) study of basic types of human movements (B. Nieslony, Franz West, E. Wurm) lying, standing, sitting, ... (Lee Chang-Shik Park) Mythologization of the self (Colette) you need a role to become yourself (Cindy Sherman) 60s: real bodies in real time in real space From writing culture to culture as performance Choreography as danced theory (Jerome Bel) Lecture performance (Xavier Le Roy, Mike Hentz) Performance as trans-genre or anti-genre within art studies artistic action /vs/ artistic production praxis paradigm (cf. praxeology on Wittgenstein) Stadtwerkstatt-TV projects as performance (4 Days of Buffalo) / Ars electronica "no one is sure of himself“ Automaten TV etc. performativity of the social system (Lit.: Lyotard) Legitimization (of research) through its performativity (Lit.: Lyotard) Performativity as the operationality of information (Lit.: Lyotard) Philosophical database (Mike Hentz) comprehensive concert/ performance/installation (Recombinant 9.9.99 ars electronica Posthof – all halls) acoustic performance (Jeanette Yankian "Aorta“) electroacoustic performance (Mia Zabelka) Van Gogh TV (Live and real time television / Multimedia performance Hotel pompino) artistic mass (Jerzy Berés) B&W films as material demarcating reality (Helmut Schober) Literature: (...continued) Richard Kostelnatz / The Theater of Mixed Means. An Introduction to Happenings, Kinetic Environments ... ! R. Koberg / Die Kunst des Gehens Mosche Feldenkrais / (Lit. on: Feldenkrais Method) Dr. Walter Siegfried (dance theorist) Willy Jansen / (PSi7) The Dancing Saints Gender and Trance Ritual in Different Culters Freddie Rokem / (PSi7) Ritualisations of Repetition in Performance Translating Dance (PSi7) Julia Witworth / (PSi7) / Translating of the Body: Physical Theatre Trainings, ... Cf. identity view cf. identity view allowed to play along (being part of the game) see identity Avant-gardist isms were superseded by ideas and contexts (PB) aesthetic social guest work (PB) staying on the road (PB) Outsiders are in-between beings (PB) artist as skeptical anthropologist (PB) (BieferZgraggen) performatively negotiating culture (FL) performativity thrust The reduplicated event is always a farce (Mersch) Alchemistic laboratory life-art-work Gotthard (Jean Odermatt) social sculpturing method (Labin Art Express) theory of the moment (James Lee Byars) Factory of the Excentric Actor (Eisenstein) musical score (Kaprow) body in motion (Robert Morris) aesthetic way of praying (Nitsch) Purifying power of ritualized pain (Gina Pane, H. Nitsch) (religious) ceremonies of the Indians (Joan Jonas, Tina Girouard, James Luna, Yolanda Segura) Against religious symbols (Ulrike Rosenbach) film projection combined with performance (Sol Lyfond) (Jack Goldstein – film maker) (Doris Balmer) (Stephen Laub) (Harald Busch & Erhard Hirt) (Anet van de Elzen) projecting "home movies“ (Anna Bring) filmmakers as performers (and vice versa) (John Jesurun, Valie Export, ...) offering a "different" filmic view of the performance camera replaces audience (restrictive presentation conditions) church service as performance (USA) Death and the beautiful shaman (M. Abramovic) direct time-images (Klaus Rinke) film performance using the quality of illusion dance view Dance: having the hands "in play" gestures of conducting (as performance) Embalming of a chicken (G. Bruckschweiger) blessings A performance exists only and ever as a flux Situative performative emergence of work The idea of the situation (GANG ART) film time and event (GANG ART) time units for the event acoustic design as rhythmization of the event (GANG ART) choreography view actions with concrete goals (Lidl-Academy) (audio group, Jens Brand, Sam Ashley, H.-J. Gilgen, Orquestra del Caos, N. Möslang & Andy Guhl, Noah Riskin, Gerrit de Vries, Richard Dunlap) ceremony art (Chicago) cultural performances (Ethnologist: Milton Singer) Cultures of the performative (Erika Fischer-Lichte) Butoh see above (Kazuo Ohno) SU-EN Butoh Co. (Susanna Akerlund) Mythical mystical dance play motoric movements otherwise not "used" (Simone Forti) (burning 1 Mill Engl. pounds) (Jürgen Fritz) (Goji Hamada) performers do not play a "role" ritual performance (M. Abramovic): "The lips of St. Thomas" carving, whipped, naked on cross of ice blocks (she stages herself as sacrifice) performance as rituals of transition, of transformation (Translation TRANSITION Transformation – PSi7) cf. Instant Intervention (Nigel Rolfe) (Also see: story telling) lectures (2) Aleatoric sound and movement performances (J. Cage, Merce Cunningham) cf. Life Art / Live Works see also: mimicry of life (Magos, Stuart Brisley) (Tache & Magos) see also: tableaux vivant Ritual sculpture (Sistermann, Christine Kubisch, David Moss, Chie Mukai, Endre Szkarosi, Michel Asso, Bonnie Barnett, Leigh Hobba, Luca Miti, Maxime Rioux, Marianne Schuppe, Attila Dora, Tibor Szemzö) Narrative Performance (Vito Acconci) (Vasan Sitthiket) (M. Schwaighofer) Therapeutic action (intention of body art) Hedonism: a philosophy of performance art Clip Performance (Pipilotti Rist) The simultaneity of high & low (critical art and pop) (Reindeer Werk) (cf. Gestures, Attitudes) (Jan Swiedzinski) Retro-performance (J.Lothar Schröder) Cover performances (Verena Kraft & Kurt Petz) (Mike Kelly / Paul McCarthy) cult action the essence of the ritual is the tie, the plea seance Spiritist session (Rolf Langebartels, Vollrad Kutscher) see: prediction (long String Quartett, Terry Fox, C. Marclay, Andrea Sodomka, Sarah Marrs, Takehisa Kosugi, Joan La Barbara) (Monica Klingler, Theater am Montag, STOP.P.T. Norbert Klassen, EX!T Elke Schmidt, Tilo Schwarz, Gob Squad) "Time based art“ also includes video and new media long-term performances (Das Konzil, Nieslony, Alastair MacLennan, B.M., Bodo Berheide, Robert Sot) (Matthias Jakisch & Elvira Santamaria, Ulrich Lepka) Architecture-Performance & Film (Gordon Matta-Clark 17 Films) (Walter Pamminger) (Sonia Knox, Marcel Odenbach, Elizabeth Chitty, Dan Graham, Peter Land, Iimura, Ulrike Rosenbach, Martha Rosler, Joan Jonas, Aernout Mik, Douglas Davis, Takahiko Iimura, John Jerusun Aernout Mik, Malgorzata Potocka, John Wood & Paul Harrison, Jean Otth, F. Pezold, Dennis Oppenheim, Lydia Schouten, Joelle Ciona, Erik Dettwiler, Bettina Grossenbacher & N. Widauer, Suzanne Joly, Jerzy Onuch, Klara Schillinger & Valerian Maly, Alex Silber, Maciej Toporowicz, Jaime Vallaure, Jürg Schmoll, Benni Efrat, Anna Bring, Gillian Dyson, Anna Winterler, Jochen Gerz, Gelatin) The body as magic sculptural object with cathartic effect (Viennese Actionism) Rooted in old myths Ultimate performance: (lethal performance as model) (Marco Ivaristtis kills animals to provoke reactions from the audience) Performative theater (BAK-Truppen (many open elements)) cf. strong boom of process view in business administration and informatics since about 1996 acoustically dynamic space perception (B. Leitner) performative sound sites (spatial music) emotionality through live presentation emotional impact of the medium of film the emotional role of music for diverse rituals / creating basic atmospheres through music pity / social feelings distinction religious feelings ceremony ritual as means for coping with crises Which recursive effects do changes in communication (due to new media) have on "old media" such as theater, music, fine arts? Transformation as aesthetic category (FL) musical performativity innermusical performativity – music as a sui generis performative, physically staged phenomenon (Prof. A. Riethmüller) moved innerly through perception of music/sound/rhythms mimetic-gestic aspects of music notions of times (Judith Barry) changes and dynamics / dynamic processes interactive processuality of cultural actions Performativity as new perspective / the dominance of textuality is penetrated Performative turn in theoretical discourse (analysis model for the specific performativity of the genre "dialogue") ritual and emotion using the example of mourning (Ines Tsengas) performativity of rituals performative generation of belonging performative generation of distinctions, i.e. separations and congruencies of social groups (Gebauer with Bourdieu) Rituals as a means for dealing with crises Computer as theater of memory (research project) Theater as event The performative as primary characteristic of contemporary, but especially "postmodern" art production (D. Mersch) (action, performance, installation, environment and event art, but also gestural painting) Role of contextuality (for significance) "performative turn" in the cultural sciences (FL) Cultures of the performative (FL) Performativity as the constitutive feature of all cultures Performatively negotiating and establishing culture atmosphere mood disposition taking care of the right atmosphere and thus also for the right thinking the incredible power of music and rhythm Emotion from lat. Motio = movement / anger-irritation logic / fear or anger logic obsessed with speed images of feelings (Eva Hurley) dynamic way of looking at psychical processes mourning-depression system logic of mourning religious ecstasy (Unio mystica) social "face" as highest good (honor, integrity, recognition and not just tolerance) /vs/ loss of face) affects as energy suppliers and organizers of social space Mourning depression system fear of abandonment system Group and family myths (highly emotionally charged) Fear-angst system Gray ascribes a coding effect and integrative function to all emotions for cognitive contents Cognitions with the same or similar emotional hue tend to conjoin into emotion-specific separate worlds (in the sense of the logic of anger, anxiety, mourning or joy ...) Mental state corresponding to the situation (caution, tensely aware or relaxed) Cf. magical theater (A. Artaud) = Theater of Cruelty Cruel healing through theater (A. Artaud) Search for the sacred (A. Artaud) Poor theater (proximity to performance) Paratheatrical actions = cultural investigations (Grotowski) Poor theater – what is left is the body (W. Pfaff) The culture is the body (Tadashi Suzuki) The secrecy of body codes Philosophy in "action" (G. Raunig) Performance in motion – Resistance in motion (Performing Resistance, Volkstanz, Gettoattack – Vienna) Dance&Performance activists processed objects (Performing Resistance) With the means of invisible theater (Performing Resistance) Literature: (... continued) R. Shusterman / Kunst leben – Die Ästhetik des Pragmatismus Mieke Bal (lecture) / Performance and performativity M. Foucault: Wissensarchäologische Diskursanalyse W. Hempfer / Performativität u. episteme anders Denken – M. Focaults >performativer< Diskurs (article) M. Foucault / Archäologie des Wissens M. Foucault / Die Ordnung des Diskurses M. Foucault / ... Reader Diskurs u. Medien Sybille Peters / (PSi7) Towards a Theory of Fake / Towards a Fake of Theory Theorising the Performative (PSi7) Anja Musiat, Dorita Hannah / (PSi7) Writing Gesture: Performing Words, or, "How to dance with words“ Jackie Smart / (PSi7) Processing Language in Physical Theatre Ola Johansson / (PSi7) From Stage to Page Stephen di Benedetto / (PSi7) Mutable Modes of Perception: Approaching Performance as Visual Art Post-Dramatic Theater (book: Hans-T. Lehmann (LE)) Theme of death (Markus Schwaighofer) (Gianfranco Baruchello) (Mary Noéle Dupuis) gestic research using film (Valentina Baradinone, Gelatin) performance behind running projection (Enrico Bugli) film and shadow (Anet van de Elzen) (Gelatin) Alchemistic theater (Antonin Artaud) (Kees Mol) Aesthetic alchemy (Rimbaud, Mallarmé) Ritual and shamanist performances (Holger G. Herrmann) Archaically poetic (Lee Wen) Performance art often moves in a discursive gap (Ray Langenbach) (Alastair MacLennan) (Kim Jones) (Ronaldo Ruiz) Aboriginal myths (Kevin Mortensen) Easter piece (crucifixion situations) (Cheri Gaulke) religious attitudes (John Malpede) (Sam Taylor-Wood) Performance as fundamental characteristic of postmodernism (Chantal Pontbriand) performance ritual (Karin Bille, Jürgen Fritz, Thilo Hain, Walter Renner) Purification (Verena Schwab) movement performance (Eva Hurley) (Eva Fuhrer, Janet Haufler, Vereana Schwab, Jürgen Fritz, Norbert Klassen, Stefan Kurt, Charles Richardson, Matthew McGuire, Andrea Morein) dis-curs (running back & forth) short processes, swarm of processes (Manfred Vänci Stirnemann) Performance art as pre-art (Z. Warpechowski) Performances with/as/to music (Urs-Peter Schneider) ecstatic dance Therapeutic acting out (Gabriele Oßwald & Wolfgang Sautermeister) Experimental theater (Sam Ashley) Theater WuWei Philosophical and metaphysical concepts (Tokio Maruyama) in imitation of mudmans (Rolf Hinterecker) Theatrical staging (Knopp-Ferro & Frank Köllges) (Günfer Cölgecen) (Dan Senn) (Stuart Sherman) (Böröcz & Révész) (Yolanda Segura) ( Angelica Schubert) Sound sculpture (Mel Henderson, Paul Kos, Tom Marioni) Portable park project (Bonnie Sherk) Cinemasculpture (Alan Finneran) Shamanist qualities (John Sturgeon) Philosophy of the act (Hagakure) Practical performative hermeneutic deduction (H. Sowa) performative perception of time Practical character of carrying out acts of meaning: meaning is acting/doing (Sowa) performative understanding (Sowa) Theater of the situation (Brecht) see: gestic view Theater of gestures and movements everything in dance is gesture (LE) Turn to the performative act (instead of the well formed message) "holy" reality of the body (LE) Presence of the deviant body triggering "immoral" fascination, discomfort or anxiety because it deviates from the norm due to illness, handicap or deformation (Just Merrit) Body dismemberment & violence / body fragmentation in performance pain & catharsis dance articulates energy Absurd Theater concept theatre Anti-mimetic theater Plurimedia theater (LE) Dream theater (LE) Energetic theater (Lyotard): Not a theater of meanings, but rather of intensities ... post-dramatic energetics Theater of circumstances Production of presence (LE) Object theater Environmental Theatre (Richard Schechner) Movement theater (LE) Performer are tricksters and clowns between rock music and scenic collages (L. feLugossy) view of transformation exceptional places (LE): churches, ... Audio-Landscape (Wilson) physique of the voice in architectonic spatializing classic texts are also underlaid with pop understandings (sensation of rhythm) (LE) (Yvonne Rainer, Trisha Brown (Judson Dance Theater), Merce Cunningham, Monica Klinger, Rose Garrard, Lucinda Childs) (LE) Theater resembles a kinetic sculpture aesthetics of speed slow motion-like movements (Wilson) slowness (Wolfgang Duck) (Min Tanaka) dance articulates energy / everything in dance is gesture In plunging and elevation, pain and provocative erotic, the question is posed with Nietzsche of the "dancing god" (LE) movement theater dance theater intensifies, shifts, invents movement impulses and body gestures (LE) aesthetics of duration time process of becoming image (LE) Performance art with its radical assertion of real time as time experienced in common (LE) view of the act the moment of the living process (vs. reproduced process) Postdramatic theater performance accentuate the act over the result (LE) live acting Theater as process (LE) process and not finished result cinematographic theater (LE): (John Jesurun) impression of collage and montage – videographic, filmic, narrative – intrudes before every perception. dramatic logic The tempo of the film cut is brought into theater (LE) playing in video generates the interference of differing time rhythms performance as social situation Theater is the art of the social per se (LE) the spiritual / the holy theater is at heart a death mass (LE) Catholic mass as model of the theater Transformation through magical procedures: costumes, masks From action to transformation Theater in therapeutic pedagogy mythic view Wilson's theater is neomythical Reaching the density of the mythical (Wilson) Prerational logic of mythical image worlds (LE) A theatricalization may be observed in performance art (LE) A new association of opera, performance and theater results Theater of deconstruction (Serapiostheater, Bak-Truppen, Wooster Group, SRL, La Fura dels Baus, ATEM Group) attacking social mechanisms (V. Acconci) electro- acoustic clothing (B. Maubrey) Media, myths, fairy tales (BBB Johannes Deimling) Ritual Theater (Hanna Barbara) Theatrical productions (Atty Bax) (Christiane König) Theatrical scenes (Ian Hinchliff) (Billedstofteater) Model of cannibalism (Lygia Clark) anthropophagy (Judith Lorena Mendez Barrios) Therapeutic seances (Lygia Clark) Dance Noise (Anne Iobst, Lucy Sexton) mental derangement (Grahame Davis) Cath. rituals (De Chirico & Angelika Thomas) One-Woman-Theater (Margaret Dragu) time as medium (Ralston Farinas) (Ruth Geiersberg, Elizabeth Le Compte, Jürgen Raap, Schechner: The performance garage, Ron Vawter, CARKA, Norbert Klassen, Studio Azzuro) Mudman (Kim Jones) (Young-Chul Shim) dance with the Internet (Stelarc) Forms of organizing and executing culture performativity discourse ethnographic performances – following traces (Nikolaus Lang) dance studies (Xavier Le Roy) hyperdance (Min Tanaka) Topicalizing relationship (G. Magos & Corinne Tache) (Inka Bernstein & Club Hofmann) (Lorena Menoez & Fernando Fuentes, Birchler & Hubbard) Individual mythologies (Jonathan Meese) Myths of the world (Jill Orr) dance as competitive sport (A. Périgot) dance & martial art (Li Portenlänger) (Schimpfluch) (Zoltan Szabo - Judoka) slowing down time reducing energy (Prediction) Archaic forms of expression (Arnulf Rainer) (Klaus Rinke, Michael Schmidt, Endre Tot, Yasunori Shiobara, Ruggero Maggio, Lee Chang-Shik Park) Wheelchair performances (Krüppelschlag/Just Merrit) Sex in a wheelchair (Bilderwerfer: Conny Scheuer, Elisabeth Löffler) naked in church against the rite (Mette Aare) Kabalistic references (Nelly Agassi) (Nelly Agassi) Bedded on archaic frameworks (Dieter Appelt) Smeared with earth (Dieter Appelt) Lying naked in the water (Dieter Appelt) St.Sebastian – pierced sacrificial lamb (Ron Athey) (cf. Mishima) cf. Fakirs The living theatre (Julian Beck, Judith Malina, Kenneth Brown) Like a stone-age man (Jerzy Beres) Archaic and culture Archaic, Butoh (Gérald Personnier) ritual music (Maria Fisahn) (Skip Flicker) (Devil´s Chauffeur – Roger Ely) cycling all over the neighborhood (Kirsten Forkert) Machine: stream of fire/stream of water (Erik Hobijn) social and religious identity (Islam) (Majida Khattari) Poetic performance (Ruth Knecht) stories run in the monitor cap (Kyung Ja-Na) collages of events Giving what may be found in madness (Artaud) the Fluxus movement emanated from music, among other things "Theater" was an important starting point for the Viennese Actionists Extreme theater Viennese Actionists) private filmic actions (Andy Warhol) A performative moment has been important to many art works since the 70s Video eliminates the necessity of appearing before an audience music and video art (Les Reines Prochaines: M. Fuchs, Fränzl, Madörin, Muda Mathis, S. Zwick) Autoportrait (Carlo E. Lischetti) course co-determined with thread (Jordan MacKensie) Allegorical processions (celebration art) (Antoni Miralda) Musique sonore (Joachim Montessuis) Film, Music & Performance (Michael Murin & Peter Kalmus) Naked, all hair shaved off in a tree – no story, no plot (end of time) (Oszeus Labyrint: Mark Steger & Hannah Sim) Semantic, philological and etymological instruments (Luca Patella) PAM: Performance analysis method (Ute Ritschel) Completely out of control (Ion Grigorescu) Professor of philosophy as performer (Adrian Piper) Philosophy lecturer (Nick Land) social researcher (Pino Poggi) (Karin Meiner & Manfred Hammes) Dance of Transgender (Hunter Reynolds & Pattina du Prey) TV projection (daily news) combined with dirges (Dr. Walter Siegfried) Butoh therapy (Mitsutaka Ishii) Literature: (...continued) Butoh – Die Rebellion des Körpers (Kazuo Ohno, Carlotta Ikeda, Tatsumi Hijikata, Min Tanaka, Anzu Furukawa, Mitsutaka Ishi, Testuro Tamura, Yoshito Ohno, Dai-Rakuda-kann, Akaji Maro, Nanten Harada, Akira Kasai Yoko Ashikawa, Asbestos-an, Sankai-iuku, Ko Murobushi, Yu Osuga, Sanae Hiruta, Teru Goi, Macunaima (Brazilian Group), Eji Ikuyo, Hoppo Butoh-ha, Natsu Nakajima, Kunishi Kamiryo, ...) (Masaki Iwana) (Esther Maria Häusler) (Gérald Personnier) (René Schmalz) (Sabine Seume) (Kjetil Skoien) Claudia Jeschke / Anmerkung zum performativen von Tanztechnik und Tanz- schriften im 19.Jhd. musical stagings (Norbert Stang) Birth (Fumiko Takahashi) Impromptu theater (Mark Russel) (Res Ingold, Boris Nieslony, Jürgen Fritz, Wolfgang Sautermeister) relationship questions (cameras, monitor): Androgynous – Marion Leyh, U.Peter Schneider, Ruth Bamberg,Philippe Micol) (Pawel Althamer) filmic vision: in multimedia and intermedia art (incl. happenings, performances) "filmic vision" supersedes static vision (Th. Dreher) (From viewing art to a view of the world) Private Performances (Video Documents) sound sensuousness (Maria Berquet) Multimedia music theater (Hans-Friedrich Bormann – LOSE COMBO) process-analytical works (Büro Haake-Brandt) boredom (Büro Haake-Brandt) (Sakiko Yamaoka) dancing bodies control multimedia image projections - meeting of real/virtual bodies (Isabelle Choiniére) revenge of the Indians on European music (Art Clay) performance "like anthropological studies" (Kurt Fulton) Ethnolog. research into social conditions (Kurt Fulton & Richard Schachter) Performer with education in philosophy (Odradek Siblings: Eva Blut – Upper Austrian Design for V. Westwood) (Lygia Pape) Action with stone (Stephan Goedecke) Lying under stones (Yin Xia-Feng) (John Greyson) external and internal purification (Emil Gropoz) Using the means of surprise (Emil Gropoz) influenced by experimental films (Madonna Hamel) rhythmic performance (Esther Hiepler) experiments with TV cameras (Alex Hay & Deborah Hay) noise music (H. Mucken – M. Vorfeld, Rolf Langhans) Performance to experimental film (Anne Hody) (Pat Ferrero) Micro-drama (Johanna Householder) Constructivist theater film actors as performers (Akiko Izumi) Mermaids washed ashore (Myriam Laplante) Performance in the ocean (Yong-Gu Shin) Semantic shifts due to the confrontation of concepts (Marlene Madison Plimley) purification ritual (Hansjörg Marti) Performance in front of video projection (Oscar MacLennan & Anne Seagrave) time-based experiences (Scott Macleod) moment as sculpture of touch (Franz Müller) Site-specific presentation (Mike Pearson) couples as public "construct" (Judy Radul) Sale of Roman Catholic pictures of saints (Richard Schachter) gay perspective Distribution of holy pictures as thanks for donations (Renate Bertlmann) Virtual suicide (Cuco Suarez) expectations of salvation (Tour de Coulór) human voice (see below) curator in the field o film (Bettina Wagner) Living room on the stage (Otmar Wagner, Stadtwerkstatt) (Karina Wellmer-Schnell) (ADAW Palaf) PERFORMANCE ART CONTEXT Performative Approaches in Art and Science Using the Example of "Performance Art" PERFORMANCE ARRANGEMENTS Performance as a LIMES–IDEA of art (Border Machine Performance) History of performance as the history of transgressing borders (M.-L. Lange) Art as border crossing (P. Bianchi) Off limits (hors limites) (Maribel Königer) Counter to abbreviating and excluding discourses (with M. Foucault) 32/64 Views of the "Performative Turn" Article in Kunstforum vol.152 Kunst ohne Werk (Dirmoser, Nieslony) A cluster model revealing performance (and theater) to us as a system of possibilities, in which relations in the in-between result as though by themselves. ... (P. Bianchi) Performative Procedures in Art, Science and Education (*1) Performative procedures (for a transitional period) Performance is not so much a new art form as a new paradigm, it stands less for a new phenomenon than for a new observation of familiar phenomena. (David E.R. George 1996) Performance here becomes not only a subject for study but also an interpretive grid laid upon the process of study itself, and indeed upon almost any sort of human activity, collective or individual (M. Carlson) The great popularity of "performance" as a metaphor or analytical tool for current practitioners of so wide a range of cultural studies. (M. Carlson) Recent studies have demonstrated the usefulness of the concept of "performance" in the analysis and understanding of all these ... human operations. (M. Carlson) The ideal performance /vs/ revolutionary performance approaches The perfect performance (James Lee Byars) How can performances be analyzed? an open-ended medium with endless variables art performance / dance performance / theater performance / etc. Daring to face uncertainty and temporariness (from network to interstice - the clustering) On representation: A "net" without edges (in other words a cluster) – contents are placed in spatial proximity. Semantic routes are to be set by the readers (in reading) themselves. A Poster Group by Gerhard Dirmoser and Boris Nieslony Version 01u.02 / 08/1999 – 04.03/2001 Linz/Cologne / A-4020 Linz Waltherstr. 2/2/5 G. Dirmoser gerhard.dirmoser@energieag.at / asabank@asa.de Translated from German by Aileen Derieg 11/2002, a.derieg@site38.ping.at All rights are retained by the authors (print-outs for private use are desired) Thanks to: Paolo Bianchi (PB), Wolfgang Preisinger, Attila Kosa, Eva Kosa, Gerhard Fröhlich, Gottfried Hattinger, Udo Wid, Peter Arlt, Georg Ritter, Gabi Kepplinger, Eva Sturm, Herbert Wimberger, Josef Nemeth +, Hakan Gürses, Just Merrit +, Rainer Zendron, Black Market, Astrit Schmidt-Burkhardt, Alexander Sigel Special thanks to the theorists Marvin Carlson, Hubert Sowa, H.-T. Lehmann 1.12.1993 Sedimente 4.3.1995 – 4.3.2001 Note: *1 (subtitle of the book "Schreiben auf Wasser") gnosis (BN) Flow – acting outside time Deep flow = is an ecstatic experience performative "being at one" of the Zen archer or Samurai warrior (cf. Flow) (Moreno) probing the truth of the soul through action - catharsis of action Acting out (process and not just analysis) deconstructive „performativity“ of Paul de Man the performative is a cultural act (J.W. Kronik) composition as process (J. Cage) Self-painting = surmounted self-mutilation (G. Brus) Mythic rituals (Günter Brus) Artist as martyr (Cf. G. Brus) Initiation „as“ dismemberment (Brus) Far Eastern myths (R. Schwarzkogler) Theater without theater (Mark Boyle) Expansion of film projection into the theatrical (John Latham) Dionysus – paradigm for a new myth of destruction (in part, cf. Ortiz, Nitsch, Lebel, Mühl, Kaprow, Knizak, ...) part of every performance: music (Stadtwerkstatt) flight show with concert approach (STWST) investigation of the intimate zones of the body social (Bilderwerfer) Fertility (Victorine Müller) machine-controlled film projection (torture) (Istvan Kantor) role (in)security with transgender persons (failure in daily "glance traffic") Aim of the performance conference: promoting the formation of concepts in performance art Buddha States (Chen Chieh-Jen) multiple film projections (Stan Vanderbeek) Version 02 - Mainz Ghost stories (Ping Chong) Mobile theater (Dorte Holbek) Miniature theater (Gregor Leschig) Street theater performance (Hiromi Shirai) social message (Nilofar Akmut) play-along music (John Cage) playing with the Film Noir genre (Paul Couillard) kinetic possibilities of the body (Benni Efra) outside oneself in dance Dress as information carrier (Regina Frank) body inscriptions Performer as theater studies scholar (Jürgen Fritz) Media shamans (Jürgen Fritz) Theater of Mistake (Anthony Howell) being in the process (Matthias Jakisch) time as material (Karl Kaltenbach) Standing on hammered in nails (P. Kochsomrong) Philosophical lecture-like performance (KwieKulik) (Prz. Kwiek & S. Kulik) As a mummy in natural location (Liu Cheng Ying) projecting close-ups (Sol Lyfond) approaching one another (Iréne Maag & Chen Tan) travelling and migration (Raúl Manrique & Claudio Fabián Pérez Miguez) Group therapy as installation ("Lovepangs" congress /4 phases of pain) Maim dancer (Krüppel) (Nonko Ono) (Dennis Oppenheim, Malgorzata Potocka, Eulalia Valldosera (Collektive Al-Azaz)) knots in the social field (Kira O´Reilly) Physio-Psycho-Alchemy (Raphael Montanez Ortiz) Philosophical, religious reflections (Zygmunt PioTrowski) art-therapy (Paisan Plienbangchang) commentary on film diaries (Balz Raz) Performance appearance as an absurd act of information (Ruskin Stichting, Rotraut Pape, et al.) There is no knowledge without discursive praxis (Focault) Foucault: ... the mechanisms of discursive formations could be picked up specifically in the in-between space of scientific discourses. Merging the concept of performativity with the debate on cultural identities (Lit.: Stefanie Menrath) The discourse is that, for which and with which one fights (Foucault) discourses are practices themselves Discursive practices differ from non-discursive (technical, institutional, economic, social, political) practices Foucault's archeology is an ethnology of his own culture Performances of Death in America (Andy Warhol) Theatrical material (Julien Maynard Smith – Station House Opera) acoustic effect of the body (Janos Szirtes) Close to nature Bodies connected to trees with hoses (Enikö Szücs) (Tadasu Takamine) Lifedance (Gloria McLean) ritual consecration performances (Ralf Vormbusch) Therapist as performer (Yuko Yamamoto) performance concer

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