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Education

Published on September 24, 2014

Author: kimfyson

Source: slideshare.net

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Media Studies A Level
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1. Media Studies Investigating mise-en-scène

2. Mise-en-scène • a French term meaning what is put into a scene or frame

3. Mise-en-scène • a French term meaning what is put into a scene or frame • visual information in front of the camera

4. Mise-en-scène • a French term meaning what is put into a scene or frame • visual information in front of the camera • communicates essential information to the audience

5. Mise-en-scène • a French term meaning what is put into a scene or frame • visual information in front of the camera • communicates essential information to the audience • made up of 5 elements.

6. Mise-en-scène • a French term meaning what is put into a scene or frame • visual information in front of the camera • communicates essential information to the audience • made up of 5 elements.

7. The 5 Elements of Mise-en-scène

8. The 5 Elements of Mise-en-scène • settings & props

9. The 5 Elements of Mise-en-scène • settings & props • costume, hair & make-up

10. The 5 Elements of Mise-en-scène • settings & props • costume, hair & make-up • facial expressions & body language

11. The 5 Elements of Mise-en-scène • settings & props • costume, hair & make-up • facial expressions & body language • lighting & colour

12. The 5 Elements of Mise-en-scène • settings & props • costume, hair & make-up • facial expressions & body language • lighting & colour • position of characters/objects in the frame

13. The 5 Elements of Mise-en-scène • settings & props • costume, hair & make-up • facial expressions & body language • lighting & colour • position of characters/objects in the frame

14. Each aspect of mise-en-scène should add more meaning to the film and send signals to the audience about how they are supposed to feel at a certain point

15. Each aspect of mise-en-scène should add more meaning to the film and send signals to the audience about how they are supposed to feel at a certain point CONNOTATIONS

16. Settings & Props Mise-en-scène

17. Settings & Props • sets & locations are not just random backgrounds Mise-en-scène

18. Settings & Props • sets & locations are not just random backgrounds • sets are either built from scratch or a great deal of time is spent to find a setting which already exists Mise-en-scène

19. Settings & Props • sets & locations are not just random backgrounds • sets are either built from scratch or a great deal of time is spent to find a setting which already exists • settings can manipulate an audience by building certain expectations (they have connotations) and then taking a different turn. Mise-en-scene

20. Settings & Props • sets & locations are not just random backgrounds • sets are either built from scratch or a great deal of time is spent to find a setting which already exists • settings can manipulate an audience by building certain expectations (they have connotations) and then taking a different turn. Mise-en-scène

21. Costume, Hair & Make-Up • costume, hair & make-up are an instant indicator of a character’s personality, status, job, etc. Mise-en-scène

22. Costume, Hair & Make-Up • costume, hair & make-up are an instant indicator of a character’s personality, status, job, etc. • we know immediately whether the film is set in the present and what society or culture it centres around Mise-en-scène

23. Costume, Hair & Make-Up • costume, hair & make-up are an instant indicator of a character’s personality, status, job, etc. • we know immediately whether the film is set in the present and what society or culture it centres around • certain costumes can signify certain individuals (i.e. black cloak of a vampire, Spidey’s Spiderman suit) Mise-en-scène

24. Costume, Hair & Make-Up • costume, hair & make-up are an instant indicator of a character’s personality, status, job, etc. • we know immediately whether the film is set in the present and what society or culture it centres around • certain costumes can signify certain individuals (i.e. black cloak of a vampire, Spidey’s Spiderman suit) Mise-en-scène

25. Mise-en-scène

26. Mise-en-scène

27. Mise-en-scène

28. Mise-en-scène

29. Facial Expressions & Body Language • facial expression provides a clear indicator of how someone is feeling Mise-en-scène

30. Facial Expressions & Body Language • facial expression provides a clear indicator of how someone is feeling • if someone is smiling broadly, we assume they are happy however other elements can be used to change and anchor the true meaning of the smile. Mise-en-scène

31. Facial Expressions & Body Language • facial expression provides a clear indicator of how someone is feeling • if someone is smiling broadly, we assume they are happy however other elements can be used to change and anchor the true meaning of the smile. • body language indicates how a character feels or may reflect the state of a relationship between characters. Mise-en-scène

32. Facial Expressions & Body Language • facial expression provides a clear indicator of how someone is feeling • if someone is smiling broadly, we assume they are happy however other elements can be used to change and anchor the true meaning of the smile. • body language indicates how a character feels or may reflect the state of a relationship between characters. Mise-en-scène

33. What meanings/emotions do these images convey?

34. What meanings/emotions do these images convey?

35. What meanings/emotions do these images convey?

36. What meanings/emotions do these images convey?

37. What meanings/emotions do these images convey?

38. What meanings/emotions do these images convey?

39. What meanings/emotions do these images convey?

40. Positioning of Characters & Objects in the frame Mise-en-scène

41. Positioning of Characters & Objects in the frame • positioning within a frame can draw our attention to an important character or object Mise-en-scène

42. Positioning of Characters & Objects in the frame • positioning within a frame can draw our attention to an important character or object • the positioning of people in the frame should indicate the relationship between them Mise-en-scène

43. Positioning of Characters & Objects in the frame • positioning within a frame can draw our attention to an important character or object • the positioning of people in the frame should indicate the relationship between them Mise-en-scène

44. What does positioning in this image reveal?

45. What does positioning in this image reveal?

46. What does positioning in this image reveal?

47. What does positioning in this image reveal?

48. What does positioning in this image reveal?

49. What does positioning in this image reveal?

50. What does positioning in this image reveal?

51. What does positioning in this image reveal?

52. What does positioning in this image reveal?

53. Lighting & Colour can be used to achieve a variety of effects Mise-en-scène

54. Lighting & Colour can be used to achieve a variety of effects • to highlight important characters or objects within the frame Mise-en-scène

55. Lighting & Colour can be used to achieve a variety of effects • to highlight important characters or objects within the frame • to make characters look mysterious by shading sections of the face & body Mise-en-scène

56. Lighting & Colour can be used to achieve a variety of effects • to highlight important characters or objects within the frame • to make characters look mysterious by shading sections of the face & body • to reflect a character’s mental state or hidden emotions, i.e. bright = happy, dark = disturbed, strobe = confused Mise-en-scène

57. Lighting & Colour can be used to achieve a variety of effects • to highlight important characters or objects within the frame • to make characters look mysterious by shading sections of the face & body • to reflect a character’s mental state or hidden emotions, i.e. bright = happy, dark = disturbed, strobe = confused Mise-en-scène

58. Types of Lighting LOW KEY • created by using only key & back lights • produces sharp contrasts of light and dark areas • deep, distinct shadows or silhouettes Mise-en-scène

59. Types of Lighting LOW KEY • created by using only key & back lights • produces sharp contrasts of light and dark areas • deep, distinct shadows or silhouettes Mise-en-scène

60. Types of Lighting HIGH KEY • more fill light is used and the light is natural and realistic to our eyes • produces brightly lit sets or a sunny day Mise-en-scène

61. Types of Lighting HIGH KEY • more fill light is used and the light is natural and realistic to our eyes • produces brightly lit sets or a sunny day Mise-en-scène

62. A What type of lighting is used in each of these frames? D F C E B

63. Colour has many connotations when used in the frame

64. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… Mise-en-scène

65. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… • tell a story Mise-en-scène

66. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… • tell a story • evoke an atmosphere Mise-en-scène

67. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… • tell a story • evoke an atmosphere • give the audience information Mise-en-scène

68. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… • tell a story • evoke an atmosphere • give the audience information • provoke an audience response Mise-en-scène

69. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… • tell a story • evoke an atmosphere • give the audience information • provoke an audience response • highlight key themes Mise-en-scène

70. Analysing a sequence When analysing a sequence in terms of mise en scène, we need to look at how all the different elements and techniques work together to… • tell a story • evoke an atmosphere • give the audience information • provoke an audience response • highlight key themes Mise-en-scène

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