Learning at Scale 2014; Best Practices for MOOC Video

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Information about Learning at Scale 2014; Best Practices for MOOC Video
Education

Published on March 5, 2014

Author: cycomachead

Source: slideshare.net

Description

Our demo from learning at scale 2014 on best practices for producing video for online education.

Best Practices for MOOC Video Michael Ball, Aatash Parikh, Eric Arvai, Lauren Mock, Dan Garcia bit.ly/moocvideo !1

Motivation • Recorded UC Berkeley's CS10 "Beauty and Joy of Computing" in lecture ala the weatherman • • • Green screen, live recording, lovingly post YouTube: http://tinyurl.com/BJCvideos Also have "TA does the lab" Khan-style videos !2

!3

Instructor viewpoint • Lectures already broken up using clickers into segments, but could have done more "pre" • In-class had to wait until gaps to answer Qs • Couldn't move feet, that was hard for many • Helped that I had a team of undergrads to help with the shlepping and setup • Helped that I had an amazing undergrad to do postproduction to remove green screen !4 !4

What we’ve learned… • Live model as opposed to studio model preserves classroom energy • Green screen gives a larger view of presenter and utilizes the whole frame • Lack of pre-production multiplied post production time by 10 • Today’s setup !5

Best Practices !6

Pre-Production • Work with instructional designers or video producer to segment course content • PLAN AND TEST YOUR SETUP • ... Then test again! • Make sure EVERYONE (including the presenter) is aware of the setup !7

Production • Have a channel of communication (hand signals!) between presenter and videographer • Ensure redundant recording of video / screen where possible • Example: Berkeley's Tricaster system !8

!9 !9

Thank You! Questions? !10

Bonus Slides Things we didn’t have time to present, but are probably useful. ! Caution: These may be a bit disorganized. !11

Video Matters • First major interaction with course content • Main method of content delivery • Must be clear, understandable • Quality important, but they don't expect Hollywood • Know when something is “Good Enough” !12

Post-Production • Live editing vs Post Editing • Video post production • • • Concise segments <10min Color correction Audio post production • Noise reduction • Dialog replacement !13

Questions (to Answer) • What type of materials are you presenting? • Do you know how this video will be used? • What's your budget? • How many hours of video do you need? • Is there time for setup? Editing? !14

Lecture Capture • Uncontrolled Environment • Lighting & Sound Considerations • Low-light scenario • Wireless lav mic scenario • Record & project the screen simultaneously • Record lecturer • Redundant recording systems !15

Studio Capture • Controlled Environment • Record screen and lecturer • Lighting & Sound Considerations • Studio Lighting • Shotgun mic scenario !16

Basic Hardware Simple 1-shot setup: • 1 Camera (Could be DSLR) • 1 Microphone (Wireless Lav’s recommended) • Tripod • Extra Memory Cards and batteries !17

Software • iMovie is perfectly fine for rough cuts. (Free) • Adobe Premier (Elements $99 or Pro, $50/mo) • Final Cut Pro X ($299) • Apple Motion 5 (for templates, graphics, $49) • Adobe AfterEffects (Green Screen, etc, $50/mo). • PixelConduit (Live Production, $0, $120 add-ons) !18

Green Screen • Allows “better” Picture-in-Picture style presentations with a larger talking-head (or full body) • Add-on to traditional capture • Start by simply placing a green screen behind the presenter and edit in post-production as necessary. • Live Solutions Exist (like for our demo) !19

Budget Differences • Money increases quality marginally in most cases. • The big savings come from time • Save time editing, have redundancy with backups, and ways of recovering from errors • Build systems which are modular — that allow you to upgrade as necessary • Money is better spent on audio than video • Two cameras can be used for different angles • Clean way to cover-up / fix mistakes in live recording !20

Low Budget (~ $2k) • Compact Video Camera (Canon HF G10) • Rode Shotgun Microphone • Shure Lav Microphone • Zoom H4n or Tascam DR-40 recorder • Can also be used to directly record laptop sound • Tripod (hopefully with Fluid Head) • QuickTime for screen recording and iMovie for editing !21

High Budget (~ $6k+) • Canon 5D Mark III (Blackmagic Cinema Camera) + 200mm F/2.8 Lens • Optionally, a 2nd camera for cutting to a different view • Shure Wireless Lav Microphone • Zoom H4n (or H6, or Sound Devices 722) • Larger / Sturdier Tripod and Fluid Head • Blackmagic Recorder for live capture • Can be Thunderbolt/USB3 or a separate SSD recorder • Additional Lights, Green Screen, or mobile cart setup for flexibility • BIG Budget: NewTek Tricaster to do everything for you live! ($8K - $25K alone) • Final Cut Pro X or Adobe Premier Pro !22

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