Elements Of Fiction

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Information about Elements Of Fiction

Published on November 15, 2007

Author: tranceking

Source: slideshare.net

Elements of Fiction Click on the link above each finger to discover one of the five aspects of the elements of fiction. Then, in the Literary Terms section of your notebook, draw a hand and copy the definition at each digit of the hand. Click on the home icon on each page to return here. Click for Guidelines Plot Theme Setting Characterization Narration

Plot Simply put, plot is what happens in the story. Some call it the storyline. When doing an Elements of fiction hand, describe the plot in ten words or less without revealing the plot’s climax or resolution.

Simply put, plot is what happens in the story. Some call it the storyline.

When doing an Elements of fiction hand, describe the plot in ten words or less without revealing the plot’s climax or resolution.

Theme It’s the moral or main idea of the story. Themes do not provide any plot developments and apply to many types of stories in almost any genre. When doing an elements of fiction hand, state the theme in five words or less. Often it can be stated in one word.

It’s the moral or main idea of the story. Themes do not provide any plot developments and apply to many types of stories in almost any genre.

When doing an elements of fiction hand, state the theme in five words or less. Often it can be stated in one word.

Characterization The main character in a story is called the protagonist . She or he is always involved in the main conflict and its resolution. The person opposing the protagonist is called the antagonist . When doing an Elements of Fiction hand, use the methods of characterization (flat, round, dynamic, or static) to describe the protagonists and antagonists in the story. Click Here Click Here

The main character in a story is called the protagonist . She or he is always involved in the main conflict and its resolution.

The person opposing the protagonist is called the antagonist .

When doing an Elements of Fiction hand, use the methods of characterization (flat, round, dynamic, or static) to describe the protagonists and antagonists in the story.

Narration First Person Point of View: The narrator tells the story and is a character in the story. (Pronouns: I, me, us, we, our, etc.) Third Person Omniscient: The narrator is not a character in the story but can tell you the thoughts and actions of all characters at all times. (Pronouns: he, she, him, her, they, them, etc.) Third Person Limited: The narrator is not a character in the story but can tell you the thoughts and actions of a few key characters at all times. (Pronouns: he, she, him, her, they, them, etc.)

First Person Point of View: The narrator tells the story and is a character in the story. (Pronouns: I, me, us, we, our, etc.)

Third Person Omniscient: The narrator is not a character in the story but can tell you the thoughts and actions of all characters at all times. (Pronouns: he, she, him, her, they, them, etc.)

Third Person Limited: The narrator is not a character in the story but can tell you the thoughts and actions of a few key characters at all times. (Pronouns: he, she, him, her, they, them, etc.)

Setting The setting provides us with the when and where the story took place. In addition, the context or historical background in which the story is set provides us with additional plot information. When doing an Elements of Fiction Hand, use the three W’s of setting When = the timeframe, Where = place or location, and Why = the context in which the story is set

The setting provides us with the when and where the story took place. In addition, the context or historical background in which the story is set provides us with additional plot information.

When doing an Elements of Fiction Hand, use the three W’s of setting When = the timeframe, Where = place or location, and Why = the context in which the story is set

Guidelines When creating an Elements of Fiction Hand, please follow these guidelines Trace your hand or use a graphic on a blank piece of paper Be sure to label each digit with one of the elements of fiction Where needed, provide names of characters, places, dates, times, locations, etc. No lined paper: must be in color As always, be creative and try to do something original and unusual

When creating an Elements of Fiction Hand, please follow these guidelines

Trace your hand or use a graphic on a blank piece of paper

Be sure to label each digit with one of the elements of fiction

Where needed, provide names of characters, places, dates, times, locations, etc.

No lined paper: must be in color

As always, be creative and try to do something original and unusual

Methods of Characterization On a new page in the “Literary Terms” section of your notebook, title it “Methods of Characterization” and copy the information from the following slides.

On a new page in the “Literary Terms” section of your notebook, title it “Methods of Characterization” and copy the information from the following slides.

Flat Characterization A character who has one or two sides, representing one or two traits—often a stereotype. Flat characters help move the plot along more quickly because the audience immediately understands what the character is about. Example: Like a geeky science professor

A character who has one or two sides, representing one or two traits—often a stereotype. Flat characters help move the plot along more quickly because the audience immediately understands what the character is about.

Example: Like a geeky science professor

Round Characterization A character who is complex and has many sides or traits with unpredictable behavior and a fully developed personality. Antagonists are usually a round characterization. Example: Like The Green Goblin (Norman Osborn)

A character who is complex and has many sides or traits with unpredictable behavior and a fully developed personality. Antagonists are usually a round characterization.

Example: Like The Green Goblin (Norman Osborn)

Dynamic Characterization A character who experiences an essential change in personality or attitude. Protagonists are almost always dynamic. Example: Stitch, from Lilo and Stitch

A character who experiences an essential change in personality or attitude. Protagonists are almost always dynamic.

Example: Stitch, from Lilo and Stitch

Static Characterization A character who does not change or develop beyond the way in which she or he is first presented. Example: Atticus Finch from To Kill a Mockingbird .

A character who does not change or develop beyond the way in which she or he is first presented.

Example: Atticus Finch from To Kill a Mockingbird .

Types of Conflict In the Literary Terms section of your notebook, please copy the following information about the types of conflict that form the basis of plot.

In the Literary Terms section of your notebook, please copy the following information about the types of conflict that form the basis of plot.

External Conflict There are three types of external conflict: character vs. character ; character vs. society; and character vs. nature .

There are three types of external conflict: character vs. character ; character vs. society; and character vs. nature .

Character vs. Character The protagonist in the story experiences conflict with others, especially the antagonist.

The protagonist in the story experiences conflict with others, especially the antagonist.

Character vs. Society The protagonist in the story experiences conflict with society as a whole.

The protagonist in the story experiences conflict with society as a whole.

Character vs. Nature The protagonist in the story experiences conflict with the elements of nature.

The protagonist in the story experiences conflict with the elements of nature.

Internal Conflict The protagonist in the story experiences conflict with her or his conscience.

The protagonist in the story experiences conflict with her or his conscience.

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