Aquabatics: Sarah Jane Pell 2002- 2008 Live Art, Sci Art, Dive Art, Extreme Environment Research and Performance Laboratories

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Published on November 16, 2008

Author: Aquanaut

Source: slideshare.net

Sarah Jane Pell Sarah Jane Pell evokes the aquatic spectacles of Annette Kellerman and Harry Houdini and the pioneering spirits of NASA and Jacques Cousteau amid performance, life- digital media, installation and advanced life-support technologies – fullscreen08, NGA Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

ADAS Occupational Diver Training 2002 The Underwater Centre, Fremantle Australia Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Prototype Dual Re-breather Sarah Jane Pell (AU) & Pacific Commercial Divers, Perth Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Interdepend, 2005 ArtsTAS New Media Collaboration: Sarah Jane Pell (AU) & Martyn Coutts (AU) Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

All rights reserved Sarah Jane Pell 2006 Interdepend, AU 2005 Collaborators: (Tas Tas/Vic) Sarah Jane Pell (Vic/WA) Martyn Coutts (Tas/Vic) dual- Prototype dual-rebreather designed and constructed by Pell in Art Surgery collaboration with Coutts & Pacific Commercial Divers, Perth Produced with support from ArtsTAS New Media Creative Development Grant: Tasmanian Department of the Arts and Australian Government Produced during residencies at Spare Parts Puppet Theatre Fremantle and King Street Arts Centre, Perth. Dramaturgy Poets of the Machine.

FUTURE ART OF/IN/FOR TELESURGERY ? European Institute of Telesurgury (EITS) – France 2006 Telesurgery Laparascopy | ISU SSP06, Life Sciences Dept. Visit Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

SymbioticA, 2003 - 2006 the art and science research laboratory, School of Anatomy & Human Biology, University of Western Australia Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

All rights reserved Sarah Jane Pell 2006 Petrification ARC Biennale 2005 Sarah Jane Pell (Vic/WA) Lawrence English (Qld) (Qld) Qld Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

All rights reserved Sarah Jane Pell 2006 Petrification, UK 2006 Art Surgery Collaborators Sarah Jane Pell (Vic/WA) Lawrence English (Qld) (Qld) Qld RAWSpace Galleries, ARC Biennale, Brisbane Documentation Bec English Attendance made possible by support of ArtsWA Artsflight Grant Produced during a RAWSpace New Media Arts residency, Brisbane.

WWW.LIFE-BOAT.ORG

Dr Nigel Helyer, Dr. Stuart Hodgetts Dr. Sarah Jane Pell WWW.LIFE-BOAT.ORG MOBILE BIOTART LAB, 2004 Riks Utstillinger, Olso Harbour NO

WWW.LIFE-BOAT.ORG

WWW.LIFE-BOAT.ORG The Heureka Science Centre, Helsinki SymbioticA: the art and science laboratory School of Anatomy & Human Biology University of Western Australia

WWW.LIFE-BOAT.ORG The Baltic, ISEA04 Oron Catts, Dr Nigel Helyer, Dr Sarah Jane Pell, Ionat Zurr

LIFEBOAT Total Biological and Psychological Processing System Welcome to QA64 - the world's most cultural interrogation. We offer two psychological sampling systems - The Human-Techno Screen-based Interface, and our award-winning Person-to-Person Questionnaire… 4. Collective action is always more effective than individual action… 21. Artists should steer clear of politics… 52. Regular soldiers under orders should be legally culpable for their actions during warfare… WWW.LIFE-BOAT.ORG * AGREE * STRONGLY AGREE * DISAGREE STRONGLY * DISAGREE

International Space University, France SSP Life Sciences Department 2006 Tethering workshops with Canadian Astronaut Bob Thirsk Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

2006 HMP Lunar Medical Contingency Simulation, Devon Is. Participation in the International Space University (FR) team with with real- NASA- real-time comms with HMP Astronauts (Arctic) NASA-Johnson Space Center Tele- (US), and Payload Tele-Operations Center (CA). Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Mars Institute HMP EVA Medivac Simulation, Arctic 2006 The Devon Is. simulation demonstrated that an injured suited crewmember could be safely extracted from difficult terrain, similar to what might be expected in a lunar EVA, and transported to a remote site for diagnostic and therapeutic care. A number of issues developed unexpectedly during the sim that challenged the crew and planners. However, the team was able to complete the mission. Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Odyssey, 2005 The Western Australian Maritime Museum, Australia Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

All rights reserved Sarah Jane Pell 2006

All rights reserved Sarah Jane Pell 2006 Walking with Water 2005 (Solo Retrospective Exhibition) The Western Australian Maritime Museum, Australia Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Odyssey, AU 2005 ‘Walking with Water’ Retrospective Exhibition, WAMM Performed by Sarah Jane Pell (ADAS 2r) Produced by Broomstick Productions Western Australian Maritime Museum, Victoria Quay

LUNA GAIA: A CLOSED LOOP HABITAT FOR THE MOON The Luna Gaia posits a pathway towards new technologies, philosophies, systems applications and infrastructure aimed at achieving a closed loop habitat model for human Moon. settlement on the Moon http://www.isunet.edu

NASA Ames Research Centre, Bay Area 2006 Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

LUNA GAIA: A CLOSED LOOP HABITAT FOR THE MOON http://www.popsci.com/lunagaia

All rights reserved Sarah Jane Pell 2006 Luna Gaia: a closed loop habitat for the Moon >2006 Art Surgery Presented: ISU Team Project 2006 NASA Ames Research Centre, USA 2006 IAC International Astronautical Congress, ES 2006 ESA European Space Agency, 2007 International Space University and NASA Ames Research Centre.

Space Soon, The Roundhouse, London 2006 Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

‘SubCulture’ Space Soon, The Roundhouse, London 2006 Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Second Nature: Second Skin, >2003 A media performance documenting my first attempt to fly with custom-built life-size wings designed by Leonardo DaVinci in the ocean. The result was akin to the poetry of ‘The Falls’ 1980 the bird film by Peter Greenaway in the sense that it is, as the title suggests, “something of Georges Bataille’s delight in the something Bataille’ puncturing of those human pretensions which the fall of Icarus symbolises”. [Baker 2000: 32] so concisely symbolises Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Second Nature: Second Skin, >2003 National Review of Live Art, Glasgow Performed and Produced by Sarah Jane Pell Filmed at Rottnest Island, Western Australia Wooly’ Underwater cinematographer Paul ‘Wooly’ Wolstenholm Production assistant Marco Mona Post Production Marco Mona, ECU Digital Media Audio Composition David Pye Documentation NTU Digital Performance Archive Produced with support from a PICA Research & Development Grant 2003 NRLA Attendance supported by an ANAT Conference Attendance Grant 2003 Thanks to Luke Pither, Helen Embling, Floating Passions, ABCTV & ECU

Trans>Port (TERMINAL) 2004 Submerged in a 12m x 2m x 1m Aqua Super tank filled with 17,000lts of salt water and heated to 16 degrees, I improvised five John Cage performance instructions including ‘Water Walk’ Walk’ and ‘Water Music’ at the Fremantle Passenger Terminal, Music’ Victoria Quay for The Space Between Conference, Perth closing. Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Trans>Port (TERMINAL) 2004 Over the 3.5 hour performance I experienced extreme cold – distorted visibility –separation anxiety from the audience and separation a lack of privacy and personal space – a limited field of movement and other local factors affecting my physical, psychological and social boundaries and ultimately my performance behavior. I felt like a caged animal. People tapped on the glass expecting me to perform tricks on demand…

All rights reserved Sarah Jane Pell 2006 Trans>Port (TERMINAL) 2004 Performed by Sarah Jane Pell Produced by Little Girl INTERNATIONAL The Space Between Conference, Fremantle Passenger Terminal Victoria Quay, Western Australia Live Video Korin Gath Documentation Anne Walton Production Assistant Tarsh Bates, Kay Grubb Pye, Audio Composition David Pye, Grant Entrich Produced with support from the City of Fremantle Cultural Sponsorship Supertank facility supported by the Mandurah Fishing & Boating Show Thanks to PRUDE, DiveSkiSurf Fremantle, Taylor Marine, TUCF & ECU

UnderCurrent III, 2003 What does it mean to perform under pressure and with self- self- containment? This engagement took place along the 2.4km length of the largest wooden structure in the Southern Hemisphere: the Busselton Jetty – standing tall above the Leuwin Current. NB It was 33 degree C outside the dome and the fishermen kindly cleared the debris of hooks and guts as I passed. Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

UnderCurrent III, AU 2003 Performed by Sarah Jane Pell Produced by the Shire of Busselton Kickarts Artist Residency Busselton Jetty & Underwater Observatory, Western Australia Documentation Lorraine Corker Assistant Rose Williams Produced with support from the Shire of Busselton, the Busselton Jetty Council and a KickArts Court House Arts Centre Residency, Busselton Great Southern Region of Western Australia.

UnderCurrent V, 2004 The body is suction-sealed inside a 45cm transparent dome containing 16minutes of air. The body ‘members states and conditions from subspace towards an aqueous alterity manifested through a movement trajectory. The performance concludes when either a) the air depletes, b) poisoning occurs, c) 25 minutes passes. Emergency oxygen and a first aid attendant should be present. Post-dive recuperation and body monitoring is employed. Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

All rights reserved Sarah Jane Pell 2006 UnderCurrent V, UK 2004 Performed by Sarah Jane Pell Produced by GreenRoom Theater Manchester and the Bonnington Gallery Nottingham UK Live Video Michael Mayhew Documentation Richard Graham Post Production Richard Graham & Digital Performance Archive Produced with support from a PICA Research & Development Grant 2003 Under the NAVA Freedman Foundation Travelling Arts Scholarship 2004 Logistical support from LADA & Nottingham Trent University Live Arts

Hydrophilia, AU 2004 I perform wearing a prototype SSBA “Oyster” diving helmet filled with 30lt of saline. Air is drawn from the surface via an umbilical. The sinuses are flooded. Controlled epiglottal function prevents drowning. The performance continues under commercial diver supervision and protocols exploring fields of consciousness and pneumatoses for 111minutes. September 11, 2004 – BEAP04 Biennale of Electronic Arts, Perth Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

Hydrophilia I, AU 2004 Performed by Sarah Jane Pell (ADAS 2r) Produced by Perth Institute of Contemporary Arts Biennale of Electronic Arts, Perth BEAP04 Western Australia Documentation Lorraine Corker Diver Supervisor Paul Masters (ADAS 3) Production Assistant Kieran Stewart Produced with support of a BEAPWorks 2005 initiatives from ArtsWA: Department of Culture and the Arts and Australian Government. “Oyster” helmet produced with support from the Acrylic Domes & Displays, Taylor Marine, TUCF & Pacific Commercial Divers

Hydrophilia II, UK 2006 Hydrophilia is restaged on the deck of a c1900 sailing ship moored in South Quay, Penzance Cornwall in sea spray. Local PADI diving instructor David Bell tends the operations as Pell is rigged to the tall ship mast for an hour. Pell ‘descends’ into the ‘dive’ her dance begins on deck under the watchful eye of her supervisor until he calls her to the ‘surface’. Fluids from the “Oyster” helmet are finally decanted into vessels and presented to the audience. Sarah Jane Pell, PhD, AQ. research@sarahjanepell.com http://www.sarahjanepell.com

All rights reserved Sarah Jane Pell 2006 Hydrophilia II, UK 2006 Performed by Sarah Jane Pell (ADAS 2r) Produced by Art Surgery Newlyn Art Gallery & South Harbor, Penzance Cornwall UK Documentation Andy Whall Art Surgery instuctor) Diver Supervisor David Bell (PADI instuctor) Production Assistant Judith Bell, Andy Whall & Blair Todd Produced with support of ArtsWA: Department of Culture and the Arts and Australian Government Produced during a TRACT Live Art residency, Newlyn Art Gallery. Tract Live Art Art Surgery

www.sarahjanepell.com

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